Victorian NY Landscaper Advocated for Parks

Victorian NY landscaper advocated for parks –

To Frederick Law Olmsted we all owe a great deal of debt because he advocated for public green spaces.

The restrictions of city life call for the opportunity for a citizen to walk among trees and observe nature in plants, insects, and animals in a public space like a park.

Landscape architect Samuel Parsons (1844-1923) served as Superintendent of New York parks at the end of the nineteenth and into the twentieth century.

In his book Landscape Gardening (1891) Parsons outlined the importance of parks, much in the spirit of Olmsted.

He wrote, “The chief and most important office of Central Park is not to furnish agreeable driving territory for the ‘beau monde’, the millionaires, and the lovers of horseflesh.

“It is not a scheme to please and attract the fashionable, but it is playground for the young people, a pleasant open-air breathing space for the mothers and fathers who desire to go into the country and cannot get there.”

Central Park in New York



Thus Parsons follows in the tradition of America’s early environmentalist Olmsted.

Parsons clearly spells out in his writing that his work as director of parks in New York included overseeing the grand design of Olmsted, Central Park.

Central Park came to be for city residents who had little or no recourse to escaping the city for the country.

Children and Nature

Today there is much discussion with signs of activity as well on the topic of children and gardening.

Kids have little experience with nature, for many reasons.

So when children maintain a garden at school, at home, or a plot in a community garden, they can see nature at work.

An organization called Kids Gardening encourages children to garden and offers many suggestions.

Rochester, New York seed company owner James Vick (1818-1882) wrote in the late nineteenth century that children who garden learn to appreciate nature.

Parsons contributed to that same tradition in his insistence that kids from the city have an opportunity to experience nature in city parks.

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Early American Gardening Centered on Vegetables

Early American gardening centered on vegetables

In  the first half of the nineteenth century gardeners focused on growing vegetables rather than cultivating a flower garden.

Perhaps the emphasis on vegetable growing may have been related to the simple need to survive. 

Vegetable growing and farming consumed the early decades of the country. Once we had food on the table, we could worry about a flower garden.

In his book The Victorian Garden Tom Carter writes, “Until the middle of the century gardening writers dismissed flowers in favour of useful vegetable products.”

By the 1860s and 1870s seed company owners like Rochester, New York’s James Vick (1818-1882) still featured the importance of growing vegetables.

Here is an illustration from Vick’s catalog. Vegetables surround almost the entire house. [below]

In the catalog Vick wrote, “There is almost as much pleasure in growing a choice vegetable well, in bringing it to the highest possible state of perfection, as there is in producing a beautiful flower.”

Then Vick mentioned the lowly cauliflower, pictured in the left of the illustration. [above]

He wrote, “Indeed, some think with Dr. Johnson, that a Cauliflower is the handsomest flower that grows.”

Vick’s advice became important to his customers, so I am sure they followed his guidance in growing vegetables.

By that time gardeners were also enjoying their many flowers as well.

 

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Containers Dominated Boston Flower Show

Containers dominated Boston Flower Show

Last week I took the Silver line train into the Seaport section of Boston for the annual Boston Flower and Garden Show.

The weekday that I attended a moderate amount of visitors filled the Seaport Center. It was easy to navigate the floor.

What took me by surprise was the emphasis on container gardening.

It was captured in the exhibit by Miscovsky Landscaping called “Potlandia.” [below]

Giant terra-cota pots stood out in this exhibit by Miskovsky Landscaping from Falmouth.

The exhibit included three giant planters, each probably ten feet tall.

These pots made of terra-coat were painted in bring, attractive colors.

The plantings in each of them were pretty much the same. The center of the pot included a Japanese maple along with shrubs and perennials. Remember these containers were quite large.

The exhibit won a prize of $2000 for its outstanding forced plant material, including fruit trees.

You could see many bulbs throughout the design.

I took this photo to provide a perspective on the size of the containers. [below]

The exhibit called ‘Potlandia.’

There is no question that the size of the containers made a bold statement about the importance of the container in the landscape.

I got that.

So as I walked around the Show every container after that seemed to be important.

The exhibit by Terrascape Design had wrought iron planters with wonderful brightly colored plants.

A series of window boxes even caught my eye. Many great plants filled each of them.

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CT Flower Show Features Stairway to Heaven

CT Flower Show features stairway to heaven

A few days ago I drove to Hartford, Connecticut for the 38th Annual Connecticut Flower and Garden Show.

It was the best in years.

Outstanding exhibits made the trip worth while.

Aqua Scapes included a nine-foot stairway waterfall that seemed to drift from the clouds. The title of the exhibit “Stairway to Heaven” said it all.

It was truly a heavenly site with its many spring trees, shrubs, bulbs, and perennials.

Large stones filled much of the space. 

In the distance you could see a madonna statue, centered under a Japanese maple and surrounded by a bed of tulips.

A large cage next to the water fall housed a white dove.

All heavenly.

It was no surprise that this exhibit by Aqua Scapes won the Best of Show Award.

Exhibit by Aqua Scapes

 

Cafe des Fleur

Another fine exhibit also deserves mention. The Naugatuck Valley Community College presented a landscape design that transported you to downtown Paris in the spring.

A coffee shop called Cafe des Fleur stood to one side.

The exhibit included many spring flowers like hyacinths, crocus, tulips, and daffodils. Some were in containers while others appeared in beds that bordered the sidewalk. [below]

Cafe des Fleur

Ten Horticulture students designed this  exhibit. They grew the plants in the College’s greenhouse.

An apartment building stood next door to the coffee shop. The building’s entrance included several plants as well.

This beautiful exhibit was a simple statement of how flowers can enliven a sidewalk scene.

My drive was well worth the time it took to reach Hartford.

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Victorians Loved Cut Flowers

Victorians loved cut flowers

The Victorian period in the nineteenth century ushered in a love for cut flowers from the garden.

Here is a beautiful chromolithograph from William Rawson’s seed catalog of 1888 called ‘Gems from the Wild Garden.’ The image visualizes what a glorious choice of flowers for tea and lunch were available to the Victorians. [below]

Rawson Seed Company, Boston

In his book The Victorian Garden Tom Carter calls this love of cut flowers from that period ‘floristry.’

He writes, “Competition was the essence of floristry, and the spring and summer months were filled with shows held all over the country.”

The flower shows proved an outlet to show off flowers like roses and dahlias.

I remember on ‘Downton Abbey’ when Maggie Smith’s character said,
“My yellow rose won top prize at the county fair.”

Even in the cities Victorian gardeners took pride in floristry.

Carter writes, “Workers in the industrial towns took to floristry as about the only form of gardening open to them in the restricted spaces of urban living.”

Whether in country or city, Victorians encouraged floristry and so they enjoyed their cut flowers.

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James Vick Offered New Year Advice

James Vick offered New Year advice –

Rochester, New York horticulturist James Vick (1818-1882) owned a successful seed company in the late nineteenth century.

His mail order business included customers from around the world.

Vick published a monthly garden magazine Vick’s Illustrated Monthly.

James Vick (1818-1882)

He offered various kinds of advice in the magazine.

In 1879 he offered this advice for the New Year:

“At the commencement of a New Year people make a pretense of looking for their faults, with a view to making corrections, so as to start the year fair;

“and they sometimes manage to find a few small ones that their friends have not noticed but never discover those large blots that are disagreeably apparent to everybody but themselves.

“So they conclude, being so nearly perfect, certainly so much more so than their neighbors, that it is hardly necessary to trouble themselves about a change, while, of course, anything like reformation is out of the question.

“The years pass away and the ‘beams’ grow larger, and all others see them, but we never ‘see ourselves as others see us.”

And for the Gardener

“Every one knows what sad mistakes Mr. Smith made in laying out his grounds, and what miserable taste was exercised in its planting, except Mr. and Mrs. Smith.”

Vick’s chromo [couretey of Millicent W. Coggon]

Happy New Year!

 

 

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Newport Mansions Feature Christmas Poinsettias

Newport mansions feature Christmas poinsettias.

Everyone knows that Newport, Rhode Island is home to the east coast grand mansions of America’s Gilded Age.

Right now four of the mansions have taken on a festive holiday look.

Four Mansions

Until January 1 you can visit these four Newport mansions, The Breakers, The Elms, Rosecliff, and Marble House, decked out in lights and the holiday colors of red, green, and gold. The Preservation Society of Newport County, the group that oversees eleven historical properties in Newport, has made this holiday display at the mansions available to visitors for more than twenty-five years.

Decorated Christmas trees dot the rooms of the mansions. The trees sometimes surprise you when you turn a corner and see a tall evergreen decked in gold and red as in the Gothic Room of Marble House.

The dining room tables are set with period silver and china, and individual white candles illuminate the windows. Christmas wreaths and evergreens decorate walls.

Poinsettias

Three thousand poinsettias add color to the rooms of the four houses. The plants, grown in the Preservation Society’s own greenhouse,

Pointsettias in the Greenhouse at The Breakers

Poinsettias in the Greenhouse at The Breakers

are removed and replaced several times during the holiday season to ensure the displays remain fresh.

The poinsettias at The Breakers  provide a stunning show of the season’s colors.

Architect Richard Morris Hunt designed The Breakers, a 70-room Italian Renaissance-style palazzo, built in 1895, for Cornelius Vanderbilt II, President and Chairman of the New York Central Railroad.

Its interior includes rich marble, mosaic tile floors and ceilings, and open-air terraces with magnificent ocean views.

The Breakers

Right now in the Grand Hall of The Breakers stands a 15-foot tree made of red poinsettias. The room with its walls of yellow stone and a 50-foot high ceiling that seems to go up forever shines with the red color of the poinsettia.

The Grand Hall at The Breakers with its fifteen foot Christmas Tree to the left

The Grand Hall at The Breakers with its fifteen foot Christmas tree, made of poinsettias, to the left

When The Breakers was built, the poinsettia, originally from Mexico, was beginning its journey as the holidays’ most popular decorative plant.

Nineteenth century Philadelphia nurseryman Robert Buist, who introduced the poinsettia to the garden industry, once said that it was “truly the most magnificent of all the tropical plants we have ever seen.”

Philadelphia nurseryman Thomas Meehan included an article about the poinsettia in his magazine Gardener’s Monthly in May of 1876.

Meehan said that this plant “has been of late years an almost indispensable adjunct of Christmas decorations, be they of church or hall–the brilliant Poinsettia pulcherrima, the bright scarlet bracts of which give the head of blossoms a flower-like appearance, and serve admirably to lighten up the somewhat somber masses of evergreen.”

And that is truly what you find at The Breakers. The blossoms of the poinsettias brighten up this mansion and three others in a holiday spirit.

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UNH Sponsors Final Poinsettia Open House

UNH sponsors final Poinsettia Open House –

A few days ago I visited the University of New Hampshire’s Poinsettia Open House in Durham. This is an annual three-day event held after Thanksgiving.

This year the exhibit, held in the University’s greenhouse, included over fifty poinsettia varieties. (below)

Colorful holiday poinsettias lined the metal shelves in the greenhouse at UNH a few days ago.

While there, I found out that UNH’s horticulture degree program will end May 30, 2019.

I was sorry to hear that news.

Over the years I have visited UNH’s greenhouses various times for many events they sponsor like the Poinsettia Open House.

Also, part of my training as a Master Gardener took place in the very same UNH greenhouses.

UNH’s Thompson School of Applied Science will continue to offer two-year associates’ degrees. They include Veterinary Technology, Forest Technology, and in an Applied Animal Science program emphasizing livestock animals. 

The Thompson School however will no longer offer degrees in Civil Technology, Culinary Arts and Nutrition, Horticultural Technology, or Integrated Agriculture Management. 

UNH leadership explains its decision in this way.

The market has changed.

There is increased competition in availability and price for two-year associates’ degrees, fewer students in the applicant pool, and a significant increase nationally for short-term credentials.

All of this has led to decreasing enrollment and offerings not in line with state and regional workforce needs.

I know this was a hard decision for the University to make.

Many people have signed a petition to reinstate the Horticultural Technology program.

Not sure that will help, but I would sign it in a heart beat.

We need more programs in Horticulture, not fewer.

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Nineteenth Century Middle Class Home Landscape

Nineteenth century middle class home landscape

The colonial era along the East coast set a landscape design pattern for the middle class, or worker class, in the decades that followed.

A certain kind of nineteenth century middle class home landscape appeared mostly in rural or farm areas. The vegetable and herb garden was close to the house just where the first colonists located it as well.

Historian John Stilgoe wrote a wonderful book about the history of home landscape in America called Common Landscape of America, 1580-1845.



He writes, “Vegetable and herb gardens ought to be near the kitchen so that the farmwife or one of her children can quickly gather fresh vegetables and herbs.”

At that time most people lived on farms or in rural areas. Their home landscape was more utilitarian than the elaborate designs of that period  at the country homes of more wealthy Americans.

Home Ownership

Stilgoe writes, “By 1840 the notion of home ownership was deeply rooted in the national imagination; only a small percentage of farm families rented their farms, and those hoped to own farms someday.”

It was owning a single family home that became important to the nineteenth century middle class.

Clifford Edward Clark, Jr. refected that same idea in his book, The American Family Home, 1800-1960.

In the Introduction to his book Clark commented on what motivated him in writing the book.

He said, “I was struck by the persistent antiurban bias and the glorification of the single-family dwelling that has dominated middle-class consciousness.”

Once people became home owners, the way the home landscape was to look became important to reflect tradition and what neighbors included in their own yards.

The kitchen garden near the house, an idea inspired by the early colonists, continued in that middle class home landscape design.

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Who Doesn’t Love Flowers?

Who doesn’t love flowers?

The  book The Rescue of an Old Place tells the story of restoring a house and its garden in the late nineteenth century.

The location is Hingham, Massachusetts, a New England seacoast town.

The author Mary Caroline Robbins shows little tolerance for those who would doubt America’s love of flowers.

She writes, “While we and our neighbors are doing our best to stock our grounds with ornamental shrubs and blossoms, it is discouraging to be told by some of our periodicals, which are probably edited by gentlemen who live chiefly in towns, that Americans do not love flowers, because they are used among the rich and fashionable in reckless profusion, for display rather than enjoyment.”

The book traces her journey to restore the flower gardens on the seacoast property she and her husband had purchased.

She says, “I wish that our urban critics could walk through this ancient town, and be introduced to its flower lovers, and get a glimpse of its interesting gardens, before they make up their minds so positively about the tendencies of our people.”

Loving flowers – basic to human nature

“The flower-dealers of the country” she says “need have no apprehension as to the future of their industry. It is based on one of the elementary wants of our nature. Flowers will be loved until the constitution of the human mind is radically changed.”

She writes about the popular flower California poppy. [below]

Eschscholtzia, the California poppy, is the State flower.

She says, “The State flower of California was introduced to the children of that commonwealth as the Eschscholtzia before they could spell it, but this does now prove any lack of love or admiration for it on their part.

Nineteenth century Rochester, New York seed company owner James Vick (1818-1882) loved flowers.

He wrote these words about California’s poppy in his magazine Vick’s Illustrated Monthly in 1878:

“The Eschoscholtzia Californica, as its name indicates, is a native of California. We have seen it in Europe grown by the acre for supplying the world with its seeds, but no where so gorgeous as in its native home.

Because of his own passion for flowers Vick tirelessly encouaged growing them in the garden.

Like Vick, Mary Caroline Robbins thought flowers were an essential part of any garden.

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