Any Old-Fashioned Dahlias?

Any old-fashioned dahlias?

The problem with the expression ‘old-fashioned’ is that it lacks a specific time.

The reader can simply fill in a time frame.

When it comes to old-fashioned dahlias, it might be appropriate to say the nineteenth century. It was at that time that they began to appear in American gardens.

By the end of the nineteenth century dahlias had become a garden favorite.

Here is the cover of the 1888 seed catalog from the Childs Company in Long Island, New York. [below] In the image colorful dahlias fill the blue and gold vase.

[Thanks to the American Antiquarian Society, Worcester, Mass.]

A blog called Gardenista from Meadowburn Farm in New Jersey included an article about old dahlias. The title of the article says it all: “Dahlia Detectives: 7 Mysterious Heirlooms from an Earlier Century”

The article takes the definition of ‘old-fashioned’ to mean the early 1900s when the book by Helena Rutherford Ely appeared, A Woman’s Hardy Garden.

Today Meadowburn Farm, just ninety miles from New York, continues the tradition of Ely as an historic garden and working farm. Lots of dahlias appear in the garden each summer.

Dahlia ‘Bishop of Llandaff’

Bill McClaren wrote about the dahlia ‘Bishop of Llandaff’ (1927) in his great book Encyclopedia of Dahlias.

McClaren said that the ‘Bishop of Llandaff’ dahlia was “one of the oldest dahlias still being grown and shown and often the jewel of the garden.” This dahlia seems to have it all: old-fashioned and still popular today.

A problem with dahlias is that hundreds of varieties have appeared since the mid nineteenth century. Most of them are long gone, replaced by ever newer varieties.

Maybe one of the reasons we love dahlias is because there are so many newer varieties always available on the market.

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Filoli Hosts Art Exhibit

Filoli hosts art exhibit

A few days ago I visited the wonderful historic garden Filoli, near San Francisco. The garden, surrounding a red brick mansion, dates to the turn of the twentieth century.

Right now artist and landscape designer W. Gary Smith has created an environmental art exhibit called “Nests: Patterns from Nature.”

The exhibit continues through November 10.

Smith has designed and built around the garden a series of nests with materials gathered from the Filoli Estate including its trees, shrubs, and grasses.

Nests appear in various forms and are made of different materials.

When you visit, you will see twelve expressions of ‘nest’ scattered around the property.

Here is one of the designs, a series of brown nests hanging from trees. [below]

A nest exhibit now on display at Filoli.

Filoli’s garden spans sixteen acres and was installed between 1917 and 1929.

The magnificent formal garden and grounds reflect the seventeenth and eighteenth century English garden with its sweeping lawn and many views to enchant any visitor.

Filoli represents a long history of landscape, gardening, and art.  That’s why it is one of my favorite gardens to visit.

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Victorian Flower Fashion

Victorian Flower Fashion

American gardeners  fell in love with annuals after 1850 during the Victorian period.

The use of perennials in the garden re-emerged by the end of the century. They became stylish through the encouragement of English garden authorities like William Robinson and Gertrude Jekyll.

A T. W. Wood and Sons catalog cover [below] from the late 1880s shows a bed of annuals. The round bed sits in a well trimmed lawn.

Philadelphia seedsman Thomas Meehan wrote in his magazine Gardener’s Monthly in 1872: “The evil which accompanied [flower beds, ribbon beds, and carpet beds] was nearly banishing from cultivation the beautiful and interesting tribe known as hardy herbaceous plants. From early spring til late in the fall some of them were in bloom.”

In 1882 Warren H. Manning, New England plantsman, wrote: “The use of tender plants and annuals for bedding purposes in summer decoration has been in vogue for about a quarter of a century, and they have almost entirely superseded hardy herbaceous plants for general cultivation.”

When the English garden style  emphasized perennials rather than annuals, we discovered the English had been enjoying many of America’s native perennial plants for decades.  By the end of the century native American perennials became  a part of our home landscape as well.

As we had for the whole century, America followed the style of English garden design.

The nineteenth century seed and nursery catalogs provided the gardener with inspiration. They also pointed out the latest garden fashion.

Annuals were popular from 1850 until the late 1870s when perennials once again took center stage.

What do you think is the garden fashion today?

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Too Many Trees Spoil the View

Too many trees spoil the view in a landscape

When planning a home landscape, it is a good idea to choose the number of trees you plant carefully. You want not too many, and not too few.

Though he was discussing trees in a park, Samuel Parsons in his book Landscape Gardening (1891) offered advice usefull also to the home owner.

He wrote, “We must be careful always to keep open considerable stretches of turf, endeavoring rather to flank than to cross with plants the direct line of vision through to the background.”

He wanted an unobstructed view of lawn.

In 1978 landscape historian from Dumbarton Oaks David Schuyler wrote the book called Victorian Landscape Gardening .

The book was actually a facsimile of landscape architect Jacob Weidenmanns’ book Beautifying Country Homes written in 1871. This image appeared in the book. [below]

A drawing from Victorian Landscape Gardening

Notice that the drawing illustrated in the long dotted line the unobstructed view between the two properties.

The advice seems to make sense.

Whether you have one acre or a hundred acres, create the opportunity for a visitor to see the lawn in a long view because too many trees spoil the view.

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Beware the Coleus and Geranium

Beware the coleus and geranium

Who doesn’t love the two popular annuals coleus and geranium?

It turns out that New York’s Superintendent of Parks Samuel Parsons (1844-1923) showed little regard for these two annuals.

He wrote the book Landscape Gardening in 1891. In it he discussed these two plants.

He said, “Farm door-yards and Newport lawns alike distort themselves in the gay but unfortunately often garish colors of the coleus and geranium. No need to advocate their use. They have achieved a foothold that is not likely to be soon shaken.”

He disliked their colors, but he was most unhappy that they were assuming an important role in flower gardens.

Parsons gave his reasons for not liking these two plants.

He wrote, “As we find them presented on many grass plots, their appearance is vulgar, inharmonious, and barbaric.”

That is pretty heavy criticism for two simple plants.

Today

Well, today the coleus and the geranium have certainly found a home in our flower gardens.

Here’s a coleus called ‘Neptune’s Net‘ that I planted in a container on my lawn. 

This coleus is called ‘Neptune’s Net.’

With its shades of lime and burgundy this coleus looks splendid in a gray cement container.  It stayed there the whole summer.

Though Mr. Parsons failed to find any value in the coleus and geranium, today they have become an integral part of many summer gardens, whether in a container or in a bed.

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Old Fashioned Flower Garden Still Rocks

Old fashioned flower garden still rocks –

Victorians loved flowers in all their color.Late nineteenth century garden writer and landscape manager for Central Park Samuel Parsons loved flowers.

 

He wrote in his book Landscape Gardening, first published in 1891, “I believe in making a distinct and comfortable abode of flowers – in a word, a flower garden, and an old-fashioned one, if you choose to call it so.”

Even though his job was to supervise the maintenance of one of America’s landscaped gems, he still loved flowers.

He said, “Flowers really satisfy us better, and do better in the garden, where we can coax and tend them a little.”

Gardeners know that flowers will only satisfy when we can take care of them.

As we enjoy spring now, perhaps you, like I am, are deciding on what flowers to plant in your garden.

Seeds just arrived in the mail for nasturtiums and cosmos, two easy flowers to grow from seed.

A few weeks ago I ordered a few dahlia tubers.

You can see that in the next few weeks I will be busy planting flowers to enjoy during the summer and fall.

There is something so special about an old-fashioned garden, filled with plants we have known for yerars.

Parsons put it in these words, “The growth of a renewed regard for the simple and often old forms of single flowering plants is a promising sign in horticulture.”

What he means I think is the joy we find in growing old familiar plants.

Nineteenth century Rochester seed company owner James Vick (1818-1882) loved flowers as well. Through his work he tried to instill that love in his many customers scattered around the country.

Here is an illustration from his monthly magazine, filled with some of his favorite old fashioned flowers. [below]

James Vick chromolithograph, 1873

Mother’s Day Weekend Plant Sale

The annual Herb Plant Sale of the New England Unit of the Herb Society of America will once again be held in conjunction with Mass Hort’s Gardeners’ Fair at Elm Bank, 900 Washington Street, Route 16, in Wellesley, Mass. 

The date is Saturday, May 11, rain or shine. 

Mass Hort members can shop from 8 to  9 a.m.

The general public is welcome from 9 a.m. to  3 p.m.

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High Style Victorian Ornamental Gardening

High style Victorian ornamental gardening

In the nineteenth century plants from around the world became available for the English garden.

Such plants created a thirst for an ornamental gardening style that spread around the country.

Thomas Carter writes in his book The Victorian Garden, “Professional plant-hunters and amateur naturalists – many of them missionaries of the Church – travelled all over the world in search of unknown species to satisfy a taste for the spectacular.”

Such plants transformed the garden into formal beds, container planting,  and lines of shrubbery. [below]

Victorians treasured their ornamental gardening.

Carter writes, “The high style of Victorian ornamental gardening reached its peak in the 1850s and 1860s in the grounds of the Crystal Palace at Sydenham and of the private estates like Trenthem and Shrublands.”

Eventually America took up ornamental gardening as well.

Nineteenth century New Jersey seed company owner Peter Henderson included formal ornamental design in his book Gardening for Pleasure. [below]

Notice the formal beds near the front door to the house.

Today we continue the search for plants to contribute to the ornamental gardening style that we love.

Plant hunters still travel the world in search of that new plant.

No surprise that our gardens are filled with both native and exotic plants.

 

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Containers Dominated Boston Flower Show

Containers dominated Boston Flower Show

Last week I took the Silver line train into the Seaport section of Boston for the annual Boston Flower and Garden Show.

The weekday that I attended a moderate amount of visitors filled the Seaport Center. It was easy to navigate the floor.

What took me by surprise was the emphasis on container gardening.

It was captured in the exhibit by Miscovsky Landscaping called “Potlandia.” [below]

Giant terra-cota pots stood out in this exhibit by Miskovsky Landscaping from Falmouth.

The exhibit included three giant planters, each probably ten feet tall.

These pots made of terra-coat were painted in bring, attractive colors.

The plantings in each of them were pretty much the same. The center of the pot included a Japanese maple along with shrubs and perennials. Remember these containers were quite large.

The exhibit won a prize of $2000 for its outstanding forced plant material, including fruit trees.

You could see many bulbs throughout the design.

I took this photo to provide a perspective on the size of the containers. [below]

The exhibit called ‘Potlandia.’

There is no question that the size of the containers made a bold statement about the importance of the container in the landscape.

I got that.

So as I walked around the Show every container after that seemed to be important.

The exhibit by Terrascape Design had wrought iron planters with wonderful brightly colored plants.

A series of window boxes even caught my eye. Many great plants filled each of them.

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When Annuals Lost Their Appeal

When annuals lost their appeal

From the mid nineteenth century England encouraged gardening with beds of annuals.

The arrival of glorious summer plants from warmer climates like Africa, Asia, and South America had encouraged that fashion.

In the 1870s however garden writer William Robinson criticized the practice. He advocated for perennials and native plants in the summer garden.

The cost of growing in the greenhouse the necessary dozens of annuals became expensive.

Another issue became  the maintenance to keep the annual beds weed-free and trimmed to the proper height and width.

Perennials would reward the gardener with bloom year after year, Robinson wrote.

Growing  native plants would also reduce the expense of the annuals since they are readily available in local fields, mountains, and woods.

Tom Carter in his book The Victorian Garden writes about the inevitability of the demise of the extensive growing and maintaining of beds of annuals.

William Robinson

Robinson himself had once been an advocate of annuals but no longer.

He wrote the book The Wild Garden in which he proposed plants other than annuals for the summer garden.

Carter says, “The movement away from the true Victorian style during the last decade of the century reflected in, and partly brought about by Robinson, … was inevitable.

 “It has been maintained that bedding, with its emphasis on annuals and a limited number of perennials, caused gardeners to disregard old-fashioned plants, bringing some of them close to extinction.”

Today we continue to preach the gospel of native plants. 

It’s not that we can’t grow annuals. It’s that we also have beautiful native plants.

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CT Flower Show Features Stairway to Heaven

CT Flower Show features stairway to heaven

A few days ago I drove to Hartford, Connecticut for the 38th Annual Connecticut Flower and Garden Show.

It was the best in years.

Outstanding exhibits made the trip worth while.

Aqua Scapes included a nine-foot stairway waterfall that seemed to drift from the clouds. The title of the exhibit “Stairway to Heaven” said it all.

It was truly a heavenly site with its many spring trees, shrubs, bulbs, and perennials.

Large stones filled much of the space. 

In the distance you could see a madonna statue, centered under a Japanese maple and surrounded by a bed of tulips.

A large cage next to the water fall housed a white dove.

All heavenly.

It was no surprise that this exhibit by Aqua Scapes won the Best of Show Award.

Exhibit by Aqua Scapes

 

Cafe des Fleur

Another fine exhibit also deserves mention. The Naugatuck Valley Community College presented a landscape design that transported you to downtown Paris in the spring.

A coffee shop called Cafe des Fleur stood to one side.

The exhibit included many spring flowers like hyacinths, crocus, tulips, and daffodils. Some were in containers while others appeared in beds that bordered the sidewalk. [below]

Cafe des Fleur

Ten Horticulture students designed this  exhibit. They grew the plants in the College’s greenhouse.

An apartment building stood next door to the coffee shop. The building’s entrance included several plants as well.

This beautiful exhibit was a simple statement of how flowers can enliven a sidewalk scene.

My drive was well worth the time it took to reach Hartford.

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