Dahlia Book Highlights Numerous Plant Varieties

Dahlia book highlights numerous plant varieties.

It’s fall and time to think about how much dahlias add to the garden. They bloom till Thanksgiving here in New England.

Leaning about dahlias has just become easier, thanks to a new book, The Plant Lover’s Guide to Dahlias.

plant-lovers-guide-to-dahlias-coverAuthor Andy Vernon takes the reader on a journey of dahlia history and growing dahlias, and then fills the rest of the book with photographs of dozens of dahlias in all their glorious color. Vernon, a BBC TV garden show producer and horticulturist, has been growing dahlias for fifteen years.

He says, “I love propagating dahlias, growing them, collecting new varieties and giving friends excess plants I’ve grown from seed.”

This book is part of the series from Timber Press called “The Plant Lover’s Guide To”, and in this case, it’s dahlias. It is published in cooperation with Kew, England’s Royal Botanic Gardens.

That origin tells the reader that there will be lots of information here about England’s fascination with the dahlia. The reader is not disappointed.

We read about dahlias at Great Dixter House and Gardens, where the modern craze in dahlias originated in the 1990s with Christopher Llyod’s display of the dahlia ‘Bishop of Llandaff.’ [below]

Dahlia 'Bishop of Llandaff' [Courtesy of White Flower Farm]

Dahlia ‘Bishop of Llandaff’ [Courtesy of White Flower Farm]

Then there are nurseries in England as well as Vernon’s own garden to provide various dahlia varieties. Of course the Hampton Court Flower Show and the Chelsea Flower Show also receive credit for their annual exhibits of dahlias.

Many novice dahlia gardeners hesitate to plant dahlias because of the fear of having to dig them up and store them for the winter. Vernon provides clear, simple advice here.

England’s Victorian and Edwardian eras used the dahlia extensively whether in a garden bed or in a container.

In the nineteenth century there were dozens of varieties of dahlias on the market. Mid century England experienced a dahlia mania, which Vernon compares to the tulip mania of the sixteenth century. Gardeners could not get enough of this flower.

Vernon provides a clear description of the various forms of the dahlia flower, which can be confusing sometimes. He lists them simply as anemone, collerette, ball, pompom, and cactus.

As anyone who grows dahlias will admit, there are hundreds of dahlias on the market. They are improving. Vernon says, “Times have changed, and dahlias are being re-invented for more modern gardens and tastes.”

Whether you plant dahlias in beds or containers, you will find much value in this book. Vernon even includes a list of forty-eight perennials and biennials that grow well with dahlias.

At the end of the book he includes a list of nurseries where you can purchase dahlias. The majority in the US are located in Oregon and Washington.

Vernon’s enthusiasm for this flower comes through from the very first page. For anyone seeking to learn about the dahlia and how easy it is to grow, and see dozens that are on the market, this book will provide the roadmap. He says, “It really is an exciting time to discover these plants.”

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dahlia-ketsup-and-mustard

This red and yellow dahlia flower of ‘Ketchup and Mustard’, I saw at September’s Rhode Island Dahlia Society’s annual show in Wickford, R.I. It was only one of dozens of old favorites on display at the show which is also a chance to see the newest in the world of dahlias.

 

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Canna Became Popular Victorian Plant

Canna became popular Victorian plant.

I remember on my trip to Amalfi that cannas grew in flower beds that lined the main road of a small town we visited. You could tell they come up every year.  That climate was probably ideal for them.

Cannas originate in sub-tropical and tropical America and Asia.

Since the canna was a popular Victorian plant, I searched out comments in my garden history archives about it from the Victorian period.

In 1900 Cornell University Professor of Horticulture L. H. Bailey edited his classic garden resource The Standard Cyclopedia of Horticulture which said “Cannas are commonly used only in formal beds, but most excellent effects may be secured by scattering clumps in the hardy border or amongst shrubbery. “

The color of a canna with dark leaves offers a contrast for other plants in the garden. Even the flowers can offer a certain look. The SCH says, “Against a heavy background of green, the gaudy flowers show to their best, and the ragged effect of the dying flowers is not noticed.”

Some people did not partcilarly find the flowers attractive, but the structure of this large plant met with approval.  The SCH says, “As individual blooms, the flowers are not usually attractive, but they are showy and interesting in a mass and at a distance.”

On my deck this summer I potted the Canna called ‘Sangria’, part of the Cabana Canna Collection from J. Berry Nursery. It looked fine and did well the whole summer. [below]

canna on deck

Canna ‘Sangria’ from the Cabana Canna Collection growing in a container on my deck

Bailey does not mention the use of canna in a container.

Rochester, NY seedsman James Vick (1818-1882)  does however recommend it as the center plant in a large container.  It is showy and people would see it from a distance.

Bailey seems to recommend it for beds. His book says, “Popular tall ornamental plants, prized for their stately habit, strong foliage and showy flowers; much used in bedding.”

Today we still enjoy this showy plant, whether in a container or in beds.

 

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Garden Advertising Sometimes Exaggerates

Garden Advertising Sometimes Exaggerates

Advertising in America as an industry began with the N. W. Ayer & Son Company in Philadelphia in 1867.

From that point on advertisers through the media of the day sought to persuade a consumer to buy a particular brand of a product.

Lydia Pinkham was among the first to use such advertising to market her patent medicine, a remedy for female complaints. She combined vegetable compound laced with nineteen per cent alcohol to make up her medicinal beverage.

The garden industry of course through the seed companies and nurseries did not shy away from ads to promote their wares as well.

You would think that today, one hundred fifty years later, we are smart enough to reject false claims in advertising.

Not true.

Sometimes, even today, garden advertising exaggerates what the company promises.

A ‘garden in a box’ seems to imply you simply plant something like the company’s seed strips and wallah, you have a garden.

Mike Lizotte from American Meadows said, “We’ve all seen the ‘meadow in a can’ seed products at our

Wildflower mix from Aerican Meadows

Wildflower mix from American Meadows

favorite big box store. Don’t be fooled by the nice packaging.”

There is always something left out in advertising in order that the ad can make its point.

In the ‘garden in a box’ that something happens to be the work it takes to maintain a garden, and see it through to its flowering.

Also, the product may be inferior. There may be fewer seeds than promised.

Garden advertising is really like any advertising. The buyer has to be aware of the kind of promises made by the seller.

Adrian Higgins, garden writer for the Washington Post, recently wrote an article entitled “Growing wild – by design.”

He said, “A few years ago, there was the notion that meadows were so eager to sprout that

American Meadows

American Meadows

you could buy a can full of wildflower seed, sprinkle the contents on a piece of cleared land and you would have a floriferous meadow in perpetuity. But there is no meadow genie in the can.”

Though we need to proceed cautiously with ads, advertising for the garden at the same time it tries to sell something also informs the consumer about new products.

Nineteenth century New York seedsman James Vick (1818-1882) recognized that part of advertising.

Vick wrote in 1880 in his magazine Vick’s Illustrated Monthly “Those desiring reliable information upon horticultural subjects will find much that is valuable in these [advertising] pages.”

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Victorian Gardens Featured Carpet Bedding

Victorian gardens featured carpet bedding.

Untill 1890 the English garden included a garden fashion called ‘carpet bedding.’

In this style a particular plant provided a color for a design, which might be a diamond or a circle, while a contrasting color came from another plant.

In this Peter Henderson Seed Company catalog cover from 1886 red and white plants provided color for the diamond and the half-moon on the lawn. [below]

Bedding on the front cover of this Peter Henderson Company seed catalog

Bedding out on the front cover of this Peter Henderson Company seed catalog of 1886.

This form of gardening was also referred to as ‘bedding out,’ repeating the same plant in a design to achieve a certain mass color.

Tom Carter wrote about this garden fashion in his book The Victorian Garden. He said, “Without the bedding system, the new style of flower-gardening would not have been possible. Bedding-out, in turn, was a response to the introduction of many plants, many half-hardy annuals in the 1820s and 1830s.”

In the mid-nineteenth century English gardeners welcomed annuals from where ever plant hunters traveled including Asia, Africa, and South America.

Carter wrote, “The bedding-out system was an indispensable part of the high Victorian style of gardening which became first established in the 1850s.”

For example, it was the color of the coleus leaf, or the lobelia flower, or that special tint from the alternanthera that gardeners loved, including that plant in a design on the lawn.

David Stuart wrote an amazing book called The Garden Triumphant: A Victorian Legacy.  He said, “”In the early Victorian bedding or grouping system, plant individualities were of no importance, each individual merely yielding the colour of its flowers to the general show…The obsession with ‘show’ with plants merely as a ‘blaze of colours’ was all.”

Below is a modern version of carpet bedding or bedding out that comes from Italy. [below]

Photo: denvilles duo

Gardens in display [Thanks to Denvilles Duo]

So when you garden using a grouping of one plant, remember that the Victorians promoted that form of gardening.

Before that time it was considered a violation of garden etiquette to place one plant next to another of the same color and variety.

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Gardener Poet Celia Thaxter Loved Calendulas

Gardener poet Celia Thaxter loved calendulas.

This summer I planted several calendulas in my garden.

Recently while reading The Sandpiper, a biography of poet Celia Thaxter (1835-1894), written by her granddaughter Rosamond Thaxter, I discovered the calendula was Celia’s favorite flower.Sandpiper cover

I can understand why. It is a fabulous annual here in the northeast.

From the herbal site called Sunkist Herbal, we read its role in Victorian society. SH says, “The calendula (Calendula officinalis) is a hardy annual with single or double daisy-like blooms of yellow or orange. The 3- to 4-inch flowers open with the sun and close at night, leading the Victorians to believe they could set a clock by the flower. The name ‘calendula’ is from the same Latin word as ‘calendar,’ presumably because the flower was in bloom almost every month of the year.”

Rochester, New York seedsman James Vick (1816-1882) wrote in the October 1880 issue of his magazine Vick’s Illustrated Monthly, “Every one knows the old yellow Marigold, for it is common as the Sunflower, and has been as long as we can remember. It is called in the books Calendula, but that makes no difference, for it is the same old Marigold that many of us have grown for half a century. That name was given because it was thought some species were in flower every month of the calendar.”

He concluded, “The Calendula will probably never take rank with the best annuals, but we are glad to see it make a bold start for the front after so long a stay in the rear. If its improvement should continue, there is no telling the future of this good old flower.”

Calendula, Mother Earth Living

Calendula, Mother Earth Living

Vick seemed to imply that the calendula was making somewhat of a comeback.

Maybe so.

At the same time off the shores of Maine in her garden at Appledore Island, Celia Thaxter too was planting it in her garden.

Celia’s family owned a hotel on the island and for many summers Celia worked there and also tended her own flower garden.

In her garden Celia grew annuals to decorate the hotel as well as her own house where she often entertained artists, writers, and musicians.

The hotel went down in a fire in 1914, but volunteers have preserved Celia’s garden which measured 50 feet by 15 feet.

Today in her restored garden you still see the flowers laid out in the same order that Celia chose. She left the details of her garden in her book An Island Garden, probably her most famous book and still worth reading today.

Celia Thaxter's island garden measures 50 feet by 15 feet.

Celia Thaxter’s island garden measures 50 feet by 15 feet.

Celia collected her seeds from friends who came to the hotel, but also from seed companies. Perhaps one of her seed sources was the Vick Seed Company because she mentioned Vick’s death in a letter to a friend. Within weeks after his death in 1882 she wrote, “Old Vick died.”

Today the total number of flowers planted in Celia’s garden is 1600, including of course her  favorite calendula.

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Cordyline Offers Victorian Garden Look

Cordyline offers Victorian garden look.

The tropical plant called cordyline, introduced into Europe in the early 1800s, became important during the nineteenth century Victorian period.

English garden writer David Stuart writes in his book The Garden Triumphant: The Victorian Legacy that during Victorian times the cordyline became the ‘dot’ plant which was surrounded by many other flowering plants, whether in a container or in a flower bed.

Today a gardener can choose from among several varieties of the cordyline for a bit of the Victorian look.

You may already be familiar with the cordyline australis called ‘Red Star,’ which usually comes in a quart container. You grow it for its burgundy leaves.  It can easily fill in the back or the center of a planter. Then simply add flowering plants around it. This cordyline makes an outstanding addition to a summer container. It will grow to about 18” tall during the warm season.

There is now also a much larger cordyline becoming popular here in the northeast. It is called cordyline fruticosa, or under its popular name ‘Hawaiian Ti.’ You can find it at both box stores and some nurseries in a gallon and a half container. You may have to look in the indoor plant section of the store. This cordyline is much taller and wider than ‘Red Star.’ In the pot it stands almost two feet high and more than a foot wide. It can fill a large container easily by itself.

In warmer areas of the country like Florida cordyline fruticosa grows outdoors all year. The plant originates in tropical Asia, Australia, and the Pacific Islands.

What is amazing about this cordyline is its long showy, stiff red and burgundy foliage with a hint of green at times. It is the perfect plant choice to add that big lush tropical color to any outdoor summer environment. Easy to care for, it is tolerant of both over and under watering.

You can see it in this planter at the front door of a home in Milton, Mass. whose garden I recently visited on a Sunday afternoon tour. [below]

Cordyline Milton

Red leafed cordyline fruticosa fills the center of this front door container

Other cordylines that you might like are the cordyline called ‘Chocolate Queen’ which Logee’s Greenhouses in Connecticut features. The leaves emerge a variegated green and are heavily striped with cream and white.  As they mature, the leaves take on a tone of chocolate, red, and purple.

This summer in our front door container we planted the cordyline called ‘Torbay Dazzler’. Its long thin foliage shines in colors of green and creamy yellow.

Though the cordyline is a tropical plant, once popular in the Victorian garden, it certainly can still add both color and structure to the summer garden in areas with a warm summer.

 

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New Short Video Shows Pollinators

New short video shows pollinators.

Pollinators remain an important contributor in any garden. According to the New England Wild Flower Society, eighty percent of flowering plants depend on pollination. Yet organic farmer Jane Sorenson from River Barry Farm in Fairfax, Vermont says, “There are fewer bugs today than only a few years ago.”

That is all the more reason today to plant a pollinator-friendly garden. Pollinators include more than butterflies and birds, according to entomologist and author Eric Grissell.

Pollinators also include ants, wasps, and, of course, bees. Grissell writes in his book Bees, Wasps, and Ants, “It seems as if the usual state of human affairs is at work: an attraction for the bright, shiny aspects of nature in preference to the bugs that do the basic work of keeping our gardens functioning as nature meant them to.”

In April 1879 Rochester, New York seedsman James Vick wrote in his garden magazine Vick’s Illustrated Monthly , “Most of our garden flowers are honey-producing, as well as many of our wild plants and weeds. The main question is, what can we plant to produce the most food for bees, at the least expense.” He made a point then, which remains relevant today as well.

Plant for bloom of some sort during the whole gardening season. Use plants that provide nectar and pollen sources like annuals, perennials, shrubs, both native and exotic.

Situate the garden in a sunny area with windbreaks.

Provide where possible a water source like a birdbath. Pollinators do not live by nectar alone. They need water and shelter as well as food, and food requirements differ depending on the life stage of the pollinator.

Finally, pesticides can create problems in a pollinator-garden. Eliminate or minimize the impact of any pesticide in the garden.

Providing for pollinators doesn’t have to be complicated. Most of the plants you could use are available at a local nursery and easy to maintain.

After you plant your pollinator-friendly garden, register it online with the Million Pollinator Garden Challenge, a nationwide call to action.

Diane Blazek, Executive Director of the National Garden Bureau and one of the founders of the Challenge, says, “Once you plant it. Share it. A garden can be an acre, or a container, as long it includes a pollinator-friendly plant.”

Here is the new short video called “The Beauty of Pollination.” Enjoy.

 

 

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Plant Old Fashioned Annual Called Calendula

Plant old fashioned annual called Calendula.

From the large family of flowers called the Compositae comes the yellow or orange flower known as Calendula.

Rochester, NY seedsman James Vick (1818-1882)  in his seed catalog of 1880 wrote this about the Calendula, “The Calendula is the fine old and well known Marigold family, which every one knows, but may not recognize by this name.”

Vick made reference also to the flower’s other name, “The old Pot Marigold, much favored for boiled mutton, is C. officinalis.”

From the herbal site called Sunkist Herbal, we read its role in Victorian society: “”The calendula (Calendula officinalis) is a hardy annual with single or double daisy-like blooms of yellow or orange. The 3- to 4-inch flowers open with the sun and close at night, leading the Victorians to believe they could set a clock by the

Calendula [courtesy Burpee Seeds]

Calendula [courtesy Burpee Seeds]

flower. The name ‘calendula’ is from the same Latin word as ‘calendar,’ presumably because the flower was in bloom almost every month of the year.”

The Calendula has a long history in American gardens, appearing in the book Gardens of Colonial Williamsburg. “Typically, the beds are filled with pot marigolds (Calendula officinalis).”

The Encyclopedia of Gardening, first published in 1936, says that the Calendula “is one of the most popular tender annuals.”

In 1880 Vick wrote in the October issue of his magazine Vick’s Illustrated Monthly, “Every one knows the old yellow Marigold, for it is common as the Sunflower, and has been as long as we can remember. It is called in the books Calendula, but that makes no difference, for it is the same old Marigold that many of us have grown for half a century. That name was given because it was thought some species were in flower every month of the calendar.”

He concluded, “The Calendula will probably never take rank with the best annuals, but we are glad to see it make a bold start for the front after so long a stay in the rear. If its improvement should continue, there is no telling the future of this good old flower.”

Vick seemed to imply there that in 1880 the Calendula was making somewhat of a comeback.

Recently I purchased Calendula seeds. Plan to use this colorful plant in the garden this summer.

Vick would be happy.

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Perennials Changed Victorian Gardening

Perennials changed Victorian gardening.

Perennials play an important role in our gardens today. It’s as if we could not garden without them

In the history of the American garden that was not always the case.

As in Victorian England, in the mid nineteenth century annuals became the important plant, especially the bright and colorful varieties imported into the country from Asia, Africa, and South America. Such plants added constant color to the summer garden.

Rochester, New York seedsman James Vick (1818-1882) advocated for the use of perennials in the garden.  He wrote in his magazine Vick’s Illustrated Monthly in 1880, “The wealth of beauty presented by the hardy perennials is inexhaustible, and we can only pity those who are content to confine their attention to a few beds of tender plants, however bright and gay they may be while in their best conditions.”

Look at this glorious garden in the landscape of an eighteenth century mansion in Scotland called Carolside. [below] Perennials abound in this garden.

 

Carolside Garden

The Carolside garden in Scotland

Perennials and annuals can be used together, especially because the flowers of most perennials usually last for only a short length of time.  Annuals, on the other hand, give us their best the whole growing season.

The English recognized a change in gardening that included perennials. In the July 1880 issue of his magazine Vick quoted the English publication called The Gardener, “The flower garden of the present time seems to be undergoing a slow transition. There is a blending of tender with hardy plants which is most desirable; tender and hardy plants appear only to have rival claims until they are placed side by side, when it is found that the attractions of either are about evenly balanced.”

By the end of the nineteenth century when English landscape designer Gertrude Jekyll laid out a garden, she insisted on an array of perennials to give color and structure to the garden.

To this day perennials provide much of the beauty in the garden.

 

 

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Victorian Flower Beds Bloom in St. Louis

Victorian flower beds bloom in St. Louis.

A British immigrant, Henry Shaw (1800-1889) built his St. Louis, Missouri landscape in the gardenesque style.  In 1832 the English writer and horticulturist John Claudius Loudon first proposed the gardenesque style as a blend of the picturesque with room in the garden to show off one’s plant collection.

Shaw bequeathed his property to the city fathers who named it the Missouri Botanical Garden.

In this photo [below]  you can still see Shaw’s house but today also intricate beds of flowering plants that now decorate the area. This landscape presents a high Victorian style.

Hnery Sahw's house with Victirain flower beds on the lawn

Shaw’s house with Victorian style carpet beds [courtesy of the Missouri Botanical Garden]

Philadelphia nurseryman and editor of Gardener’s Monthly Thomas Meehan wrote in 1868: “Mr. Henry Shaw is one of those liberal public spirited men who do so much honor to the United States. Some take pride in endowing and establishing one kind of institution, some others. Mr. Shaw’s taste leads him to botany, arboriculture, and gardening. His Botanic Garden and residence at Tower Hill is unequalled to anything of the kind in the United States, and indeed by few others in the world.”

Meehan noted in that same article that Shaw was building the Linnean House  where he would one day showcase  his camellias. “The hot-house department is quite extensive, and the various collections are gradually being filled up. A new palm or tropical house on a magnificent scale was being constructed.”

When I visited the Missouri Botanical Garden, I saw the  Linnean House, highlighted by dozens of tulips beside it on that Spring day. [below]

Shaw's Linnean House at the Mousouri Botanical Garden

Springtime at Shaw’s Linnean House at the Missouri Botanical Garden

Shaw, like other 19th century American gardeners, preferred the English landscape style called gardenesque.

By mid-nineteenth century landscape design in both England and America included intricate flowerbeds called carpet beds as you can see today at the Missouri Botanical Garden.

 

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