Archives for January 2018

Nineteenth Century Gardeners Needed Seed Companies

Nineteenth century gardeners needed seed companies.

The nineteenth century seed companies and nurseries played an important role in what gardeners planted.

Many new plants were coming into Europe and America from plant collectors traveling the world in search of new garden plants. Sometimes a nursery would sponsor such a trip.

The seed companies made available the seeds from these new plants.

Rochester, New York seedsman James Vick (1818-1882) offered dozens of flower seeds in the various Departments of his catalog. [below]

Thus he made the newest plants available to Victorian America.

1873 list of seeds for sale in Vick’s catalog

Edward Hyams writes in his book English Cottage Gardens, “Plant collectors might have braved the Himalayan and Andean snows in vain, and the work of the plant breeder all ars gratis Artis had it not been for the coincident growth of the nursery trade to propagate and distribute the new garden plants.”

Thus Vick could display this illustration of a tranquil landscape filled with garden annuals from his collection of seeds in the Department he called ‘Annuals.’

In this scene from Vick’s  catalog of 1874 the parents stood on a summer deck to admire their landscape and take in the joy it brought their children, playing down below on the lawn. [below]

Vick Floral Guide 1874

The garden industry, to this very day, is instrumental in spreading the knowledge of new plants to the home gardener.

Hyams writes, “During the eighteenth century about 500 new plant species were introduced into English gardens; in the next century the newcomers were counted in the thousands.”

 

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Victorians Encouraged Winter Houseplants

Victorians encouraged winter houseplants.

It is the dead of winter and the house interior seems to provide nothing but dry air.

For this time of year the Victorians encouraged indoor plants.

Harriet Beecher Stowe in her book cowritten with her sister Catherine Esther Beecher The American Woman’s Home in 1869 recommended growing house plants to help bring humidity to the dry winter air in the house.

This black and white illustration appeared in the book, showing the detail of window and plants. [below]

From The American Woman’s Home by Catherine Esther Beecher and Harriet Beecher Stowe

The nineteenth century garden industry provided decorative flower pots, hanging baskets and even miniature greenhouses, according to Thomas Schlereth’s Victorian America: Transformations in Everyday Life, 1876-1915.

In 1873 Rochester, New York seedsman James Vick wrote in his catalog, “A bay window connected with a warm room, especially if facing South or East, makes an excellent place for keeping plants in winter.

“Few plants can endure the high temperature and dry atmosphere of most of our living rooms. The temperature should not be allowed to go above seventy in the day time, and not above forty-five in the night.”

Vick frequently shared instructions for taking care of the plants.

He said, “The main thing in keeping house plants in health is to secure an even temperature, a moist atmosphere, and freedom from dust. Sprinkle the leaves occasionally, and when water is needed, use it freely.”

Besides offering some leverage against indoor dry conditions, plants are also fun to see. It is a bit of the garden indoors.

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Gardening Follows Fashion

Gardening follows fashion.

In the 1870s English garden writer and horticulturist William Robinson founded and edited a garden magazine simply called The Garden.

In an article in the magazine dated January 27, 1872 he wrote about American seed company owner Peter Henderson who had his greenhouse and trial garden in New Jersey and his seed company store and warehouse in New York.

Robinson used the writing of Henderson to make the point that all gardening is fashion.

He wrote, “Flowers, or designs in flowers, says Mr. Peter Henderson, like numerous other articles of luxury, unmistakably have their fashions, which originate in large cities and have their run there for a year or two until the particular design or particular flower is supplanted by others.

“Ten years ago graceful hanging baskets were the fashion in New York, but after a year or two they were as common in the tenement of the mechanic as in the palaces of Fifth Avenue, the difference only being in the expense of the materials.

“Under these circumstances they could no longer be fashionable and rapidly gave way to the more expensive rustic stand or Wardian case, which, being less readily imitated by people of limited means, is likely to continue longer fashionable.”

Today gardening is still subject to fashion.

You will now see flowers planted with vegetables when only a few years ago that would have been unheard of in gardening.

It is not uncommon for plant growers to claim one of their own as the latest garden gem.

The old fashioned petunia has evolved through a variety of hybrids over decades.

This summer everyone will want to grow this petunia called ‘Bordeaux’ from Proven Winners who made the flower ‘Annual of the Year.’ [below]

Supertunia ‘Bordeaux’ from the grower Proven Winners

You can see that it is truly a beautiful colored flower of a bright pink with a dark center.

I grew it in my garden this past summer though at the time I did not know that it would become the ‘Annual of the Year.’

I guess that would make me right in line with following the latest garden fashion.

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1876 Centennial Exhibition Featured Conservatories

The 1876 Centennial Exhibition featured conservatories.

The Victorian gardener in the late nineteenth century sought exotic plants that displayed color and form whether in the garden or in the house.

The 1876 Centennial Exhibition in Philadelphia showcased the love of such plants, especially in the windows of the house and in the glass houses or conservatories that many homes could then afford.

Schlereth Victorian AmericaThomas J. Schlereth writes in his book Victorian America: Transformations in Everyday Life 1876-1915, “The horticultural hall [at the Exhibition in Philadelphia] represented the Victorian love of exotic gardens in glass conservatories.”

The Victorian conservatory became an extension of the house.

Such greenhouses served an important role in the life and work of the nineteenth century gardener.

When glass became less expensive in the late 1830s, the middle class plant lover could afford to have such a conservatory or greenhouse.

In 1892 the Parker and Wood Seed Company in Boston issued a seed catalog with a black and white drawing of an upper middle class house. Two men and two women were playing badminton on the front lawn. (below)

You also can see  a large conservatory attached to the house at the left. The conservatory provided a setting for tropical plants that the owner could cultivate and perhaps during the warm months position outdoors so the plant could enjoy the season’s warmth and rain.

A potted plant like a palm or lemon tree also added an exotic touch to the garden.

Conservatory as part of the house in this 1892 Parker and Wood Seed Catalog

Attached conservatory in Parker and Wood Seed Catalog of 1892 [Mass Hort]

The Victorian conservatory, attached to the house, appeared both in England and America, assuring hours of gardening pleasure for its owner.

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We All Garden for Different Reasons

We all garden for different reasons.

As you know, people garden for various reasons.

Every gardener you ask would probably give a different answer.

Recently I came across a letter from one of the readers of the nineteenth century garden magazine Vick’s Illustrated Monthly, published by Rochester, New York seed company owner, James Vick (1818-1882).

 Every issue of the magazine included letters from his audience of readers, spread around the country.

 In the August 1878 issue of the magazine one reader wrote, “Thousands of people grow flowers and derive no happiness from their culture, and often a good deal of pain. They grow flowers for the same reason that they build costly houses and dress extravagantly – to excel their neighbors, for display and ostentation.”

Vick’s Flower Chromo E, 1874

Gardening to such a person, according to the writer, meant keeping up with the latest garden fashion.

It was important to such a gardener to display that fashion as well.

The writer makes the point that there was “a good deal of pain” in this type of gardening.

Perhaps because it was done not for the joy of it, but for the display it provided for one’s neighbors.

For many gardeners there is a physical, emotional, and even spiritual joy that comes from spending time in the garden with plants, water, earth, and stone.

Perhaps that is one reason today we read about the focus on meditation and contemplation associated with gardening.

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